The Unwanted
Bret Wood’s first fictional film features delightful dollops such as bloodsucking, incest, chilling suspense and glorious bits of mad violence.
Review by Greg Klymkiw
Bret Wood’s first fictional film features delightful dollops such as bloodsucking, incest, chilling suspense and glorious bits of mad violence.
Review by Greg Klymkiw
The latest film by the acclaimed Canadian filmmaker Alan Zweig has its masterpiece status guaranteed.
Review by Greg Klymkiw
Oz Perkins makes his promising directorial debut with this creepy and surprisingly affecting blend of psychological thriller and outright horror.
Review by Greg Klymkiw
Turkish director Can Evrenol has expanded an earlier short film into a pulse-pounding feature-length horror-fest.
Review by Greg Klymkiw
Robert Eggers’s feature debut is bargain basement Terence Malick crossed with a Polanski wannabe and dollops of half-baked Bergman.
Review by Greg Klymkiw
I’ve always wondered what happened to the Ridley Scott of that 1979 classic. His latest offering could have used that guy.
Review by Greg Klymkiw
Polish filmmaker Marcin Wrona delivers one of the scariest, most sickeningly creepy horror films of the year.
Review by Greg Klymkiw
Every perverse element in this great film is rooted in a love and respect for all that is old, decrepit and yes, even horrifically, titillatingly straight-laced.
Review by Greg Klymkiw
David Cronenberg’s take on mass-media consumption is scary, dementedly sexy, and finally, one of the great science fiction horror films of all time.
Review by Greg Klymkiw
Jack Hill’s great inner-city revenge tale, starring the legendary Pam Grier in her most famous role, is far more than Blaxploitation.
Review by Greg Klymkiw