Willow Creek
Bobcat Goldthwait’s Bigfoot tale is an honest-to-goodness modern masterwork of horror.
Review by Greg Klymkiw
Bobcat Goldthwait’s Bigfoot tale is an honest-to-goodness modern masterwork of horror.
Review by Greg Klymkiw
Frank Pavich’s documentary is as close as we’re ever going to get to seeing what might have been one of the great movies of the late 20th century.
Review by Greg Klymkiw
Ace documentary filmmaker Errol Morris is back in familiar territory with this one-on-one exploration of the life and times of Donald Rumsfeld.
Review by Greg Klymkiw
Sarah Polley’s latest work roots her firmly in contemporary cinema history as someone who has generated a bona fide masterpiece.
Review by Greg Klymkiw
Numbing, gnawing and sheer unrelenting fear is the primary element driving this creepy, terrifying dystopian shocker.
Review by Greg Klymkiw
It’s all about meat.
Review by Greg Klymkiw
The creepiest, sexiest and most romantic contemporary vampire picture is now out in UK cinemas.
Review by Greg Klymkiw
Blending Warner Brothers 30s gangster styling, film noir, Greek tragedy, Sirk-like melodrama and odd dapplings of Samuel Beckett’s Endgame, it is, like all Maddin’s work, best designed to experience as a dream on film.
Review by Greg Klymkiw
Jean-Baptiste Léonetti’s debut feature film Carré blanc is easily the finest dystopian vision of the future to be etched upon celluloid since the 1970s.
Review by Greg Klymkiw
William Friedkin, it seems, has his mojo back.
Review by Greg Klymkiw