Wetlands
This adaptation of Charlotte Roche’s notorious erotic-comic novel was hands down the funniest, punkiest film at this year’s Etrange Festival.
Review by Virginie Sélavy
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DVD of the month: Henri Georges Clouzot’s Inferno
This documentary about Henri-Georges Clouzot’s unfinished 1964 psycho-thriller L’Enfer is as tantalising as it is frustrating.
Review by Pamela Jahn and Virginie Sélavy
Black Lizard
The delirious adventures of a queer criminal as seen by Yukio Mishima and Kinji Fukasaku.
Review by Virginie Sélavy
The Canal
Ivan Kavanagh’s shadowy horror tale is haunted by the ghosts of cinema.
Review by Virginie Sélavy
Alucarda
Loosely based on Sheridan Le Fanu’s ‘Carmilla’, this extravagant, sumptuous, macabre tale hails from the golden age of Mexican horror.
Review by Virginie Sélavy
Double Take: The Raid 2
Gareth Evans’s follow-up to his 2012 action stunner has divided our writers.
Double take review by Virginie Sélavy and Sean Hogan
The Strange Colour of Your Body’s Tears
Hélène Cattet and Bruno Forzani’s latest neo-giallo is a hypnotic trip through dark desires.
Review by Virginie Sélavy
Jodorowsky’s Dune
Frank Pavich’s documentary is as close as we’re ever going to get to seeing what might have been one of the great movies of the late 20th century.
Review by Greg Klymkiw
We Are What We Are
Far less brutal and bloody than its Mexican predecessor, Jim Mickle’s remake exerts a spellbinding charm that is all its own.
Review by Virginie Sélavy
Only Lovers Left Alive
There is a welcome sense of rebirth about Jim Jamusch’s latest film.
Reviews by Pamela Jahn and Virginie Sélavy