The follow-up to Jim Mickle’s apocalyptic vampire tale Stake Land is disappointing but there is life still in this undead saga.
It’s nice to see Glass Eye Pix building up something like a franchise, with star-writer Nick Damici staying on from Jim Mickle’s Stake Land and the Body team of Dan Berk and Robert Olsen stepping in as directors. The first film offered an alternative to the many, many zombie apocalypses by presenting a vampire apocalypse. It also added the I Am Legend fillip of showing the last remnants of North American humanity besieged by zombie-like nocturnal monsters and equally dangerous lunatic religious factions (‘the Brotherhood’), as hints of malign intelligence suggest that there might be more traditional, calculating vampires out there. In this follow-up, the theme is only slightly developed with the addition of a vampire villainess, the Mother (Kristina Hughes) – should she get together with the Father, from Octane? – who has a grudge against Mad Maxy veteran vamp-hunter Mister (Damici) for killing her child (she’s a rare vampire who can give birth) and putting out her eye with an arrow.