The Entity
Sidney Furie’s disturbing, ambiguous 80s poltergeist tale brings up difficult issues surrounding sexual assault.
Review by Sarah Cronin
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The Glass Key
Masculinity is the true focus of Stuart Heisler’s noir tale of crime, power and lust.
Review by Sarah Cronin
The Assassin
Hou Hsiao-hsien’s most recent work is the anti-action film, with aesthetics and technical mastery taking precedence over narrative or meaning.
Review by Sarah Cronin
The Honeymoon Killers
Leonard Kastle’s brutal, gritty take on the ‘Lonely Hearts Killers’ is a masterwork of ugly desperation.
Review by Sarah Cronin
The Fear of 13
A fascinating storytelling tour de force and an ambiguous documentary about a Death Row convict.
Review by Sarah Cronin
Make More Noise!
This selection of short films from the BFI National Archive is a fascinating, moving and entertaining tribute to the suffragettes.
Review by Sarah Cronin
In Cold Blood
Robert Brooks’s 1967 adaptation of the infamous book by Truman Capote is still a compelling watch.
Review by Sarah Cronin
Buttercup Bill
A dark, ambiguous Southern tale of cruel, murky love.
Review by Sarah Cronin
Marshland
Alberto Rodríguez’s atmospheric thriller is a terrifically well-crafted sunshine noir.
Review by Sarah Cronin
Touch of Evil
Orson Welles’s noir masterpiece in a remastered new edit.
Review by Sarah Cronin