Freedom: Skid row outsiders, uninhibited deviants and liberating servitude
As fantastical paean to harsh, wild freedom Beasts of the Southern Wild hits the screens this month, we look at various forms of cinematic freedom, from John Waters’s outrageous black comedy Female Trouble to The Master and the films of Paul Thomas Anderson while our Comic Strip Review is on The Prisoner. And Greg Klymkiw talks about freedom and servitude with the Brothers Quay to mark the American DVD release of Institute Benjamenta.
Memory: Lost love remembered, ghosts of the living and the dead, bygone cinema
Memory is our autumnal theme this month with reviews of Miguel Gomes’s wonderful tale of past wrong love Tabu and The Swimmer, Frank Perry’s startling 1968 portrayal of a man coming to terms with his life. We have an interview with Guy Maddin about his latest ghostly reverie Keyhole and a feature on Hirokazu Kore-eda, director of After Life and Nobody Knows. Our Comic Strip Review remembers an episode from a BBC TV series from the past, A Ghost Story for Christmas‘ Whistle and I’ll Come to You. In Alter Ego, writer Will Wiles is Grosse Pointe Blank‘s Martin Blank.
Mutations: Metal men, werewolf girls, freaks and hybrids
July is all about mutations as the East End Film Festival presents brand new restorations of Shin’ya Tsukamoto’s cyberpunk landmark Tetsuo: Iron Man and its sequel Tetsuo II: Body Hammer. We also a feature on Prometheus and panspermia and reviews of David Cronenberg’s tragic horror movie The Fly, John Fawcett’s Ginger Snaps, in which a misfit teenage girl’s struggles with puberty and fitting in are played out as werewolf transformation, and Peter Greenaway’s The Belly of an Architect, about an obsessed man dying of cancer. In Alter Ego, Tom Pollock is Jurassic Park‘s Dr Henry Wu and our Comic Strip Review is on Italian techno Western The Legend of Kaspar Hauser, starring Vincent Gallo.
Treachery: Cheaters, liars, tricksters and traitors
Treachery is this month’s theme: we have reviews of True Love, a thriller that explores the dangerous consequences of lying to your spouse, and Extracted, a cerebral puzzler that explores the truths and lies we tell ourselves, both screening at SCI-FI-LONDON, Vincente Minelli’s take on glamorous betrayal in Hollywood The Bad and the Beautiful, Australian tale of scapegoats in the Boer War Breaker Morant and high-octane Welsh-directed Indonesian martial arts actioner The Raid, which is released this month.
Manga Adaptations: Tackling Fukushima, delinquent school boys and vengeful women
As the Terracotta Festival presents the UK premiere of Sion Sono’s Himizu this month, using a comic to tackle the fallout from Fukushima, we take a look at manga adaptations with Takashi Miike’s stylised, violent high school movie Crows Zero, Toshiya Fujita’s 70s revenge tale Lady Snowblood: Blizzard from the Netherworld, Korean manhwa vampire Western Priest and SF actioner Gantz while the Reel Sounds column focuses on Ichi the Killer.
We have an interview with French director Dominik Moll for The Monk, adapted from Matthew Lewis’s Gothic novel. In Short Cuts we report back on the Flatpack festival, in Alter Ego Darran McCann is George Bailey in It’s a Wonderful Life and the Dominion of Canada column looks at ice hockey movies.
PODCASTS: Roee Rosen: Vile, Evil Veil: Israeli artist, writer and filmmaker Roee Rosen talks about his first UK solo exhibition Vile, Evil Veil, which consists of the installation Live and Die as Eva Braun, exploring the life of Hitler’s lover in the bunker at the end of the Second World War, and the film Out (Tse), which stages a sado-masochist exorcism between a queer left-wing activist and a possessed ultra-nationalist woman. Rosen discusses the dynamic of power in human relationships, both personal and political, the importance of the victim/victimiser dichotomy in Israeli identity and how to exorcise the demon in all of us.
In March we celebrate the flamboyant brilliance of the late British director Ken Russell with articles on The Devils, his famously outrageous depiction of possession in 17th-century France, released on DVD in its original version for the first time, his psychedelic drug movie Altered States, his take on Byron and Shelley’s famous ghost story writing competition Gothic, and Savage Messiah, his portrayal of French sculptor Henri Gaudier-Brzeska, as well as a defence of his much decried Litztomania and an article about his fraught relationship with the press. In this month’s Alter Ego, Nick Harkaway is Michael Caine’s Harry Palmer in Billion Dollar Brain while Reel Sounds is about Russell’s composers and we have a Comic Strip Review of Women in Love.
In cinemas we review Werner Herzog’s death row documentary Into the Abyss, uncompromising Spanish award-winner Black Bread, disquieting Austrian paedophile portrait Michael, Argentine corruption drama Carancho and Norwegian thriller Babycall. We have a feature on Turkish director Nuri Bilge Ceylan to mark the release of Once upon a Time in Anatolia and an article on avant-garde Japanese filmmaker Shûji Terayama, whose work is being shown at Tate Modern.
PODCASTS: Exploring The Lair of the White Worm: In a panel discussion recorded at The Horse Hospital arts club after a screening of Ken Russell’s lurid Bram Stoker adaptation on Wednesday 14 March, Mark Pilkington discusses The Lair of the White Worm (1988) with BFI Flipside programmers Vic Pratt and Will Fowler, touching on the legend of the Lambton Worm, titillation and absurdity in British cinema and Russell’s three-picture deal with Vestron Pictures in the 1980s.
