Opening on Friday 13 June, the 13th East End Film Festival will run for 13 days until Wednesday 25 June, presenting a selection of new films from around the world as well as industry and music-focused events. One of the most exciting highlights of the festival is the screening of Alejandro Jodorowsky’s fabulous life tale The Dance of Reality, and there is a possibility that the director will be in attendance.
We are also delighted to be taking part again in a special weekend of screenings at the Masonic Temple in Liverpool Street – details to be announced shortly.
The festival opens with the world premiere of Dermaphoria, the second feature by filmmaker and DJ Ross Clarke. There will be a special focus on new Mexican cinema, co-curated by Mexican filmmaker Sebastian Hoffman, which includes excellent miminalist post-apocalyptic zombie drama The Desert.
Among other highlights we are looking forward to Sergio Caballero’s surreal heist movie The Distance, Romanian animator Anca Damian’s first live action feature A Very Unsettled Summer and rockabilly barbershop documentary Stay Greasy.
And as it enters its 13th year, EEFF will also celebrate teen films in their various ventures, including Class Enemy from Slovenia, in which students blame a new teacher for the suicide of a classmate, and White Shadow, which tells the story of a young Albino on the run from witch doctors who want to use his organs for their potions. Also screenig is Metalhead, which follows a heavy metal fanatic who performs before the cows on her family farm while dreaming of escape.
Tickets go on sale on 13 May 2014. For more information about the programme and how to book tickets please visit the EEFF website.
The Terracotta Far East Film Festival returns with a killer line-up. Running from 23 May to 1 June 2014, it starts with a spotlight on the Philippines at the ICA, including Erik Matti’s Cannes-selected crime and corruption thriller On the Job, horrific teen drama How to Disappear Completely and Andrew Leavold’s documentary on tiny Filipino superstar, The Search for Weng Weng.
We are particularly excited about Kim Ki-duk’s highly anticipated Moebius, Snow White Murder Case, the latest film by Yoshihiro Nakamura, as well as the Terror Cotta Horror All-nighter, with Takashi Miike’s Lesson of Evil, psychological thriller Killers by Kimo Stanboel and Timo Tjahjanto (who co-wrote and co-directed the ‘Safe Haven’ segment in V/H/S 2 with The Raid’s Gareth Evans), nightmarish Malaysian horror In the Dark, and Erik Matti’s macabre vampire comedy Tiktik: The Aswang Chronicles.
Encompassing a variety of genres and countries, the programme also includes thoughtful Mongolian teen tale Remote Control, spy thriller Commitment and historical saga The Face Reader from South Korea, charming tribute to 1960s Taiwanese cinema Forever Love, as well as the expected Hong Kong actioners and quirky Japanese dramas. In connection to Forever Love, there will be an exhibition of theatrical posters at the festival hub.
The next Terracotta Film Club on 21 May at the Prince Charles Cinema will serve as an appetizer for the festival’s spotlight on the Philippines with a screening of For Y’ur Height Only, which features the Filipino James Bond and shortest martial artist and superstar Weng Weng as Agent 00.
The London International Festival of Science-Fiction and Fantastical Film returns for the 14th time with a programme packed with discoveries from Hungary to the Dominican Republic, programmes of shorts and special events including the 25th anniversary of Mystery Science Theatre 3000 and animé and aliens all-nighters.
Taking place at Stratford Picturehouse and BFI Southbank, it opens on 24 April with the premiere of American psychological thriller Lost Time and closes on 4 May with spectacular French-Canadian sci-fi romance Upside Down.
We’re particularly looking forward to Suicide or Lulu and Me in a World Made for Two, inspired by Adolfo Bioy Casares’s brilliant novella The Invention of Morel, The Phoenix Project, described as ‘Primer meets Frankenstein’ and noir action thriller The Scribbler. We’re also intrigued by supernatural love story Soulmate, speculative exploration of genomics The Perfect 46, Dominican Republic thriller Wake and offbeat Belgian oddity When I Will Be Dictator.
Alex Fitch talks to filmmaker Brian Yuzna about his work, from his memorable debut as producer of Stuart Gordon’s Re-animator, his underrated satire of 1980s American preppy culture, Society, and later career making sequels to several franchises, including Return of the Living Dead and Silent Night, Deadly Night. (Recorded at the University of Brighton in conjunction with this year’s Cine-Excess Festival)
Cine-Excess VII is taking place at Birmingham MAC from 15 -17 November 2013, with guests including French filmmaker Catherine Breillat (Romance, Anatomy of Hell) and Italian auteur Francesco Barilli (The Perfume of the Lady in Black, Pensione paura)
Alex Fitch talks to two filmmakers who are regular attendees at Ian Rakoff’s comic book lectures at the Victoria & Albert Museum. Acclaimed film director Nicolas Roeg discusses his interest in comics and museum culture, how he nearly directed the 1980 adaptation of Flash Gordon and why the BBC wouldn’t let him choose Desert Island Discs for Radio 4’s Cultural Exchange. American Producer Sandy Lieberson, who worked with Roeg on Performance, talks about his love of classic newspaper strips, distinctions between high and low art and his involvement in The Magic Roundabout and Dougal and the Blue Cat. (Originally broadcast 30 September 2013 on Resonance 104.4 FM)
Nic Roeg’s memoir The World is Ever Changing is published in paperback by Faber & Faber.
To coincide with its tour of America, in a panel discussion recorded in Welwyn Garden City, actors Simon Bamford (Ohnaka) and Nick Vince (Kinski), restoration producer Russell Cherrington and restoration editor Jimmy Johnson discuss the reconstruction of the director’s cut of Clive Barker’s Nightbreed, which is being presented at various venues to help fund a high definition print. The panel discuss the edits imposed on Barker by the studio, the disappointment felt by many regarding the bowdlerised version released in 1990 and how with the help of various formats and sources, a reedit of all the existing footage was mounted to restore the film to its original version. (Originally broadcast 26 July 2013 on Resonance 104.4 FM)
Nightbreed: the Cabal Cut will be screening in various locations across America during Summer and Autumn 2013, with an additional Australian showing in Melbourne in August.
For more information and formats to stream/download, visit www.archive.org.
Alex Fitch talks to American film maker Spike Lee about his recent Kickstarter campaign to fund a new movie about ‘blood addiction’. They also discuss his forthcoming remake of Park Chan-Wook’s Oldboy, Lee’s thoughts on blaxplotation films such as Blacula and the director’s continuing enjoyment of being a film tutor. (Originally broadcast 18 August 2013 on Resonance 104.4 FM)
Alex Fitch talks to two directors of short films – Lee Hardcastle and Mitch Jenkins – about contributing to longer portmanteau works. Lee discusses his seminal short ‘Pingu’s The Thing’ and ‘T is for Toilet’, his contribution to the new horror movie The ABCs of Death. Mitch talks about his collaborations with Alan Moore on the photo novella Unearthing and series of short films Jimmy’s End, which he’s currently using a kickstarter campaign to fund its concluding chapter ‘His Heavy Heart’. (Originally broadcast 12 July 2013 on Resonance 104.4 FM)
The ABCs of Death is released on DVD/Blu-ray in the UK on 22 July 2013 by Monster Pictures.
The ‘His Heavy Heart’ fundraising campaign ended on 17 July 2013 and successfully raised its funding goal.