Locarno Festival 2017 Preview

Locarno 2017

Locarno Film Festival 2017

2 – 12 August 2017

Locarno, Switzerland

Locarno website

The line-up for the 70th Locarno Festival promises a range of excting home-grown films amongst some big hitters and some hidden gems.

Electric Sheep will be at the Locarno Film Festival for the first time this year, and with its 16 title-strong Piazza Grande features and 11 world premieres, the 70th edition of the festival promises to be intriguing, fun and hugely exciting.

Opening tonight with Tomorrow and Every Other Day directed by Noemie Lvovsky, the Locarno competition line-up usually focuses on content rather than big names and this year is no exception. We are particularly looking forward to the new film by John Carroll Lynch, Lucky, starring Hary Dean Stanton and David Lynch, and other promising works by exciting new and established filmmakers such as Aaron Katz ( Gemini) and Jim McKay (En el Séptimo Día), Swiss director Dominik Locher ( Goliath, Quebec –based Denis Côté (A Skin So Soft), French auteur Serge Bozon ( Madame Hyde, starring Isabelle Huppert), Romanian director Andrei Cretulescu (Charlston) and Travis Wilkerson, whose latest work Did You Wonder Who Fired The Gun concerns a crime that has haunted his personal life since his childhood.

The Piazza Grande films in this 70th anniversary edition include Atomic Blonde with Charlize Theron, Cannes festival hit Good Time starring Robert Pattinson, Kumail Nanjiani’s refreshingly unusual romantic comedy The Big Sick, What Happened to Monday? with Glenn Close, Willem Dafoe and Noomi rapace, and the world premiere of Anup Singh’s The Song of Scorpions, starring Irrfan Khan, who will be one of the festival’s special guests this year.

Actor and director Mathieu Kassovitz, who stars in Samuel Jouy’s debut feature Sparring, will receive the festival’s 2017 excellence award, while Nastassja Kinski will be honoured with a lifetime achievement award and Adrien Brody will receive the honorary 2017 Leopard Club award.

The festival’s retrospective is dedicated to B-movie legend Jacques Tourneur (1904 – 1977), whose 1943 classic I Walked With A Zombie also plays in the Piazza Grande section.

Check out the line-up below, along with our reviews where available.

Stories of Love That Cannot Belong to This World, Francesca Comencini, Italy
Atomic Blonde, David Leitch, U.S.
Chien, Samuel Benchetrit, France
Tomorrow and Thereafter, Noemie Lvovsky, France
Three Peaks, Jan Zabeil, Germany, Italy
Good Time, Josh and Ben Safdie, U.S.
Gotthard – One Life, One Soul, Kevin Merz, Italy
I Walked With a Zombie, Jacques Tourneur, U.S.
Iceman, Feliz Randau, Germany, Italy, Austria
Let The Corpses Tan, Helene Cattet and Bruno Forzani, Belgium, France
Lola Pater, Nadir Mokneche, France
Sicilia!, Jean-Marie Straub, Italy, France, Germany
Sparring, Samuel Jouy, France
The Big Sick, Michael Showalter, U.S.
The Song of Scorpions, Anup Singh, Switzerland, France
What Happened to Monday, Tommy Wirkola, U.K.

9 Doigts, F.J. Ossang, France, Portugal
Good Manners, Juliana Rojas & Marco Dutra, Brazil
Charleston, Andrei Cretulescu, France, Romania
Did You Wonder Who Fired The Gun, Travis Wilkerson, U.S.
Freedom, Jan Speckenbach, Germany
Gemini, Aaron Katz, U.S.
Gli Asteroidi, Germano Maccioni, Italy
Goliath, Dominik Locher, Switzerland
Good Luck, Ben Russell, France, Germania
La Telenovela Errante, Raul Ruiz, Chile
Lucky, John Carroll Lynch, U.S.
Madame Hyde, Serge Bozon, France
Mrs. Fang, Wang Bing, China, Germany
Dragonfly Eyes, Xu Bing, Cina
A Skin So Soft, Denis Cote, Canada
Winter Brothers, Hlynur Palmason, Denmark, Iceland
Wajib, Annemarie Jacir, Palestine, France
En el Séptimo Día (On the Seventh Day), Jim McKay, U.S.

For more Information about this year’s programme visit the Locarno website.

Pamela Jahn

Venice Film Festival 2017 Preview

Venice 2017

Venice Film Festival

30 August – 09 September 2017

Venice, Italy

Venice website

Billed as the world’s oldest film festival, the prestigious Venice film festival has announced a star-studded line up which sets the tone for this year’s awards season. Venie has seen some proud premieres in recent years as a hotspot for launching awards contenders, including La La Land, Spotlight and Birdman, and this year is shaping up to be no different.

Opening the festival on 30 August is Alexander Payne‘s sci-fi satire Downsizing. The film stars Matt Damon, Kristen Wiig, Laura Dern, Christoph Waltz and Jason Sudekis, and follows a man who decides to shrink himself to better deal with life. Damon also appears in George Clooney‘s Coen Brothers-scripted crime comedy Suburbicon, which also screens as part of this year’s Official Competition.

Other world premieres include Guillermo Del Toro‘s The Shape of Water, a strange love story between a sea creature and a lonely government clerk, Darren Aronofsky‘s highly anticipated mother!, and Martin McDonough‘s Three Billboards Outside Ebbing Missouri, which sees Frances McDormand going against a small town’s police chief after her daughter is murdered.

Genre fans should also look out for the premieres of the follow up from Bone Tomahawk director S. Craig Zahler, Brawl in Cell Block 99, starring Vince Vaughn, and A24’s latest horror venture, Woodshock, with Kirsten Dunst in the lead.

The festival will also feature a special section dedicated solely to virtual reality, including a reworked 3D version of Michael Jackson’s Thriller directed by John Landis.

Pamela Jahn

Check out the full line up below

Downsizing, Alexander Payne
Human Flow, Al Weiwei
mother!, Darren Aronofsky
Suburbicon, George Clooney
The Shape of Water, Guillermo del Toro
L’insulte, Ziad Doueiri
La Villa, Robert Guediguian
Lean on Pete, Andrew Haigh
Mektoub, My Love: Canto Uno, Abdellatif Kechiche
Sandome No Satsujin (The Third Murder), Hirokazu Koreeda
Custody (Jusqu’a La Garde), Xavier Legrand
Ammore e Malavita, Manetti Bros
Foxtrot, Samuel Maoz
Three Billboards Outside Ebbing, Missouri, Martin McDonagh
Hannah, Andrea Pallaoro
Jia Nian Hua (Angels Wear White), Vivian Qu
Una Famiglia, Sebastiano Rosa
First Reformed, Paul Schrader
Sweet Country, Warwick Thornton
The Leisure Seeker, Paolo Virzi
Ex Libris – New York Public Library, Frederick Wiseman

Our Souls At Night, Ritesh Batra
Victoria And Abdul, Stephen Frears
La Melodie, Rachid Hami
Outrage Coda, Takeshi Kitano (closing film)
Loving Pablo, Fernando León de Aranoa
Il Signor Rotpeter, Antonietta de Lillo
Diva!, Francesco Patierno
Racer and The Jailbird, Michaël R. Roskam
Zama, Lucrecia Martel
Wormwood, Errol Morris
The Private Life of A Modern Woman, James Toback
Brawl In Cell Block 99, S. Craig Zahler
Il Colore Nascosto Delle Cose, Silvio Soldini

Cuba and the Cameraman, Jon Alpert
My Generation, David Batty
The Devil and Father Amorth, William Friedkin
Ryuichi Sakamoto: Coda, Stephen Nomura Schible
Piazza Vittorio, Abel Ferrara
This Is Congo, Daniel McCabe
Jim & Andy: The Great Beyond: The Story of Jim Carrey, Andy Kaufman and Tony Clifton, Chris Smith
Happy Winter, Giovanni Totaro

Casa d’Altri, Gianni Amelio
Michael Jackson’s Thriller 3D, John Landis
Making Of Michael Jackson’s Thriller, Jerry Kramer

Disappearance, Ali Asgari
Especes Menacees, Gilles Bourdos
The Rape of Recy Taylor, Nancy Buirski
Caniba, Lucien Castaing-Taylor, Verena Paravel
Les Bienheureux, Sofia Djama
Marvin, Anne Fontaine
Invisible, Pablo Giorgelli
Brutti e Cattivi, Cosimo Gomez
The Cousin, Tzahi Grad
The Testament, Amichai Greenberg
No Date, No Signature, Vahid Jalilvand
Los Versos Del Olvido, Alireza Khatami
The Night I Swam, Damien Manivel, Igarashi Kohei
Nico, 1988, Susanna Nicchiarelli
Krieg, Rick Ostermann
West Of Sunshine, Jason Raftopoulos
Gatta Cenerentola, Alessandro Rak, Ivan Cappiello, Marino Guarnieri, Dario Sansone
Under The Tree, Hafsteinn Gunnar Sigurdsson
La Vita in Comune, Edoardo Winspeare

For more information about the programme visit the Venice website.

Electric Sheep Film Show July 2017

Into the Unknown
Into The Unknown: A Journey Through Science Fiction

audioIn this show, Alex Fitch looks at the connections between art and film, on display in current Summer Exhibitions. Interviews include Patrick Gyger and Stefan Riekeles, the curators of Into The Unknown: A Journey Through Science Fiction at The Barbican and Anime Architecture at House of Illustration, respectively. Also in this show, American cinematographer Arthur Jafa discusses how he lensed Daughters of the Dust and curated work on display at the Serpentine Sackler gallery, while Instagram artist Nemiepeba talks about seeing her work on display as part of his exhibition A Series of Utterly Improbable, Yet Extraordinary Renditions.

The Electric Sheep Film Show is broadcast every third Wednesday of the month, 5.30-6.30pm at Resonance FM 104.4. Next date: TBC.

This show was first broadcast on Wednesday 19 July 2017.

Clear Spot – 19 July 2017 (Electric Sheep) by Resonance Fm on Mixcloud

Electric Sheep Film Show June 2017

Marjorie Prime
Marjorie Prime

audioSummer Festivals: In this show Alex Fitch interviews a trio of independent film directors whose latest movies have premiered at recent festivals. Presenting their films at the London Sundance Film Festival, Miguel Arteta talks about his film Beatriz at Dinner, a drama about class conflict and environmentalism featuring John Lithgow and Salma Hayek, while Michael Almereyda discusses his elegiac science-fiction movie Marjorie Prime, adapted from the play of the same name and starring Lois Smith and Tim Robbins. Plus, with translation by Jason Yu, Korean director Bong Joon-Ho talks about his latest film Okja, which proved controversial when it screened at Cannes in May, and features Tilda Swinton and Jake Gyllenhaal in an uproarious tale of GM food.

The Electric Sheep Film Show is broadcast every third Wednesday of the month, 5.30-6.30pm at Resonance FM 104.4. Next date: Wednesday 19 July 2017.

This show was first broadcast on Wednesday 21 June 2017.

Clear Spot – 21 June 2017 (Electric Sheep) by Resonance Fm on Mixcloud

Watch & Support: Ink, Cocks & Rock’n’Roll

Ink C Rock Roll
Ink, Cocks & Rock’n’Roll

Director Matt Harlock (American: The Bill Hicks Story) and controversial comic artist Steve Martin have just made available their latest film Ink, Cocks & Rock’n’Roll online. In the 15-minute documentary Martin is being interviewed about his artistic alter ego – the perverted monster that is Krent Able. But where does Krent stop and Steve start…and just who is in control?

Deep Clean_small

The documentary coincides with the launch of a Kickstarter campaign to support their next project Deep Clean. You can donate to the campaign on www.kickstarter.com.

Watch Ink, Cocks & Rock’n’Roll:

Ink Cocks & Rock'n'Roll – Festival from Halflife Films on Vimeo.

Electric Sheep Film Show May 2017


audio In this month’s show we’re looking at poisonous plants and post apocalyptic cannibalism, with two ‘revenge of nature’ film Q&As recorded at this year’s SCI-FI-LONDON film festival. Alex Fitch talks to director Sasha Louis Vukovic about his Canadian period drama Flora, which depicts an expedition by 1920s botanists into uncharted territory, only to find their new environment is completely toxic and they’ve run out of food. Also, guest presenter and host of the Arthur C Clarke Awards, Tom Hunter discusses the film adaptation of acclaimed British zombie drama The Girl with all the Gifts and its print prequel The Boy on the Bridge with author Mike Carey.

The Electric Sheep Film Show is broadcast every third Wednesday of the month, 5.30-6.30pm at Resonance FM 104.4. Next date: Wednesday 21 June 2017.

This show was first broadcast on Wednesday 17 May 2017.

Clear Spot – 17 May 2017 (Electric Sheep) by Resonance Fm on Mixcloud

Cannes 2017 Preview

Cannes 2017

Cannes International Film Festival

17-28 May 2017

Cannes, France

Cannes website

The 70th anniversary editoion of the Cannes Film Festival promises to be as intriguing, fun and unpredictable as ever.

Opening on Wednesday 17 May with Arnaud Desplechin’s latest offering Ismael’s Ghosts, the Competition line-up continues to follow the slighter darker, more adventurous direction introduced last year, this time including exciting new films such as Sofia Coppola‘s The Beguiled, Todd Haynes‘ Wonderstruck, the Safdie brothers’ Good Time, and Snowpiercer-director Bong Joon-ho‘s Okja.

Yorgos Lanthimos follows up his acclaimed The Lobster with The Killing of a Sacred Deer, a Kubrickian version of a modern Greek tragedy starring Colin Farrell and Nicole Kidman, while Michael Haneke has teamed up again with Isabelle Huppert for his latest offering Happy End . We also very much look forward to Andrey Zvyagintsev’s Loveless, Fatih Akin’s thriller In the Fade and You Were Never Really Here, the new film by Lynne Ramsay, which sees Joaquin Phoenix’s killer protagonist plunging deep into conspiracy and crisis.

In comparison, this year’s Un Certain Regard strand looks somewhat pale at first sight. However, the two titles that stand out are Before We Vanish by veteran director Kiyoshi Kurosawa as well as Wind River, the directorial debut by Sicario and Hell or High Water writer Taylor Sheridan. Also worth checking out seems Western by German director Valeska Grisebach, who worked as a writer on last year’s Cannes favourite Toni Erdmann.

Out of Competition titles include Takashi Miike’s Blade of the Immortal and the new film by Hedwig and the Angry Inch director John Cameron Mitchell, How to Talk to Girls at Parties, while the Midnight Screenings strand seems to offer equally intriguing fare with Jung Byung-Gil’s The Villainess and Byun Sung-Hyun’s The Merciless. Plus, this year two episode’s of David Lynch’s upcoming season of Twin Peaks and two episodes of Jane Campion’s Top of the Lake will be screened, despite the fact that there is usually little television on show at Cannes.

As always, one must also take note of the usually excellent Directors’ Fortnight strand, which this year opens with Claire Denis‘ Un Beau Soleil Interieur, starring Juliette Binoche. However, the slate also includes new films from Abel Ferrara (Alive in France) and Sean Baker (The Florida Project), as well as Sundance frontrunner Patti Cake$ by Geremy Jasper, which serves as the closing film.

Pamela Jahn


Check out the full Official Selection line-up below.


Loveless – Andrey Zvyagintsev
Good Time – Benny Safdie and Josh Safdie
You Were Never Really Here – Lynne Ramsay
A Gentle Creature – Sergei Loznitsa
Jupiter’s Moon – Kornél Mundruczó
L’Amant Double – François Ozon
The Killing of a Sacred Deer – Yorgos Lanthimos
Radiance – Naomi Kawase
The Day After – Hong Sang-soo
Le Redoutable – Michel Hazanavicius
Wonderstruck – Todd Haynes
Rodin – Jacques Doillon
Happy End – Michael Haneke
The Beguiled – Sofia Coppola
120 Battements Par Minute – Robin Campillo
Okja – Bong Joon-ho
In the Fade – Fatih Akin
The Meyerowitz Stories (New and Selected) – Noah Baumbach

Un Certain Regard

Barbara – Mathieu Amalric
The Desert Bride – Cecilia Atan and Valeria Pivato
Closeness – Kantemir Balagov
Beauty and the Dogs – Kaouther Ben Hania
L’Atelier – Laurent Cantet
Lucky – Sergio Castellitto
April’s Daughter – Michel Franco
Western – Valeska Grisebach
Directions – Stephan Komandarev
Out – Gyorgy Kristof
Before We Vanish – Kiyoshi Kurosawa
The Nature of Time – Karim Moussaoui
Dregs – Mohammad Rasoulof
Juene Femme – Léonor Serraille
Wind River – Taylor Sheridan
After the War – Annarita Zambrano

For more information on the full line-up, visit the Cannes website.

Chimerical Optics: Haiti, Colonialism and Voodoo Terror


Miskatonic Institute of Horror Studies – London

Instructor: John Cussans

Date: 18 May 2017

Time: 7-10pm

Venue: Horse Hospital

Address: Colonnade, Bloomsbury, London WC1N 1JD

Prices: £10 advance / £8 concs / £11 door

Miskatonic website

Since the first descriptions of bizarre ceremonies witnessed by the French colonial historian Moreau de Saint-Méry, Haitian Vodou has been characterized by most European and American commentators as a deplorable and dangerous African atavism that, if allowed to flourish, could eventually corrupt and destroy the economic and social order of the New World. Such omens were spectacularly affirmed by the Haitian Revolution of 1791, which, according to legend, was triggered by a Vodou ceremony in which a blood-sacrifice was offered to the ‘demon gods’, and the slaves, in a state of trance-like possession, butchered their white masters in a ‘racial holocaust’. Since then Haiti has held a special place in colonial imaginings of all that is macabre, sinister and maniacally savage, a land of irredeemable barbarism and ‘Voodoo Terror’.

This class will trace a history of such representations, discussing how they continue to shape xenophobic and neo-colonial imaginings of Haiti as a country mired in superstition and incapable of enlightened self-governance, and the importance of the zombie figure for these ‘chimerical optics’.

About the instructors:

John Cussans

John Cussans is an artist, writer and researcher based in London. Since 2009 he has been involved with the Ghetto Biennale in Port-au-Prince, Haiti, often working with the Haitian video collective Tele Geto. He is the author of Undead Uprising: Haiti, Horror and the Zombie-Complex (Strange Attractor).

About the Miskatonic Institute:

Named for the fictional university in H.P. Lovecraft’s literary mythos, The Miskatonic Institute of Horror Studies is a non-profit, community-based organization that started in Canada, founded by Kier-La Janisse in March of 2010. The school currently has branches in Montreal and London, with Miskatonic London operating under the co-direction of Kier-La Janisse and Electric Sheep Founder/Editor Virginie Sélavy.

All classes take place at the historic Horse Hospital, the heart of the city’s underground culture. Season ticket is £35 and will be available shortly. Individual class tickets are £10 advance / £11 on the door / £8 concessions and will be available 30 days in advance of each class.

For full details of the next courses please check the Miskatonic website. For all enquiries, please email Miskatonic.london[at]gmail.com.

Electric Sheep Film Show April 2017

The White King

audio In this episode we’re looking at the work of four independent filmmakers whose work celebrates eclectic personalities and mixes genres to beguiling effect: First, Alex Fitch talks to husband and wife directing team Jörg Tittel and Alex Helfrecht about their dystopian debut film The White King, starring Jonathan Pryce and Agyness Deyn, and to Nicolas Pesce about the influences on his monochrome thriller The Eyes of my Mother, from Béla Tarr to Tobe Hooper. Also, in a Q&A recorded at Chichester Cinema, Film Festival programmer Roger Gibson interviews Robert Mullen about his exploration of R.D. Laing’s anti-establishment psychiatric facility Kingsley Hall in Mad to be Normal.

The Electric Sheep Film Show is broadcast every third Wednesday of the month, 5.30-6.30pm at Resonance FM 104.4. Next date: Wednesday 17 May 2017.

This show was first broadcast on Wednesday 19 April 2017.

Clear Spot – 19 April 2017 (Electric Sheep) by Resonance Fm on Mixcloud

Rainer Werner Fassbinder at the BFI

Fassbinder on set

RW Fassbinder

April and May 2017

BFI Southbank, London

BFI website

Dead by 37, openly bi-sexual, constantly controversial: Rainer Werner Fassbinder was arguably post-war Germany’s greatest filmmaker. Now the BFI celebrates the maverick director with a major retrospective. Here’s the line-up announcement:

Running from Monday 27 March – Wednesday 31 May, BFI Southbank’s major Fassbinder retrospective will celebrate the constantly controversial and fearless filmmaker Rainer Werner Fassbinder, arguably post-war Germany’s greatest director. This extensive retrospective will feature most of the great auteur’s huge body of work, from gangster movies to melodramas, social satires to queer dramas. Fassbinder is perhaps one of the most prolific filmmakers of the 20th century; his first 10 features were astonishingly made in less than two years, and he went on to make another 30 by the time he died young at 37. A fearless artist who knew no taboos, Fassbinder combined scathing social criticism with profound psychological insight.

The season kicked off last month with a special screening of Fassbinder’s The Marriage of Maria Braun (1978) and an introductory talk Rainer Werner Fassbinder: Wunderkind, Iconoclast, Star by Martin Brady (King’s College London, GSSN), followed by the re-release of Fear Eats the Soul (1973) on Friday 31 March. Playing on extended run during the season, this was Fassbinder’s international breakthrough. A bold reworking of Douglas Sirk’s All That Heaven Allows, Fear Eats the Soul is an unconventional love story which combines lucid social analysis with devastating emotional power; arguably Fassbinder’s best loved film, it is still, 40 years on, burningly relevant.

Forthcoming highlights in April and May include a Fassbinderian Politics Study Day and The Bitter Tears of Fassbinder’s Women: A Symposium. There is also a Fassbinder collection available on BFI Player+ from 31 March, comprised of 10 of his best-loved films including Fear Eats the Soul (1973), The Bitter Tears of Petra von Kant (1972) and Fox and His Friends (1974). BFI and Arrow Films, who will be distributing the re-release of Fear Eats the Soul, have also worked together to make a number of the films available across the UK in new DCPs.

An insatiable film addict from early childhood, Fassbinder drew inspiration from the French New Wave and, later, from the Hollywood melodramas of Douglas Sirk and others. Running alongside the season, the BFI’s regular Big Screen Classics series will showcase some of these films; Fassbinder’s Favourites will include Sirk melodramas All That Heaven Allows (1955) and Imitation of Life (1959), pioneering French New Wave films Vivre sa vie (Jean-Luc Godard, 1962) and Le Signe du lion (Eric Rohmer, 1962), as well as Hollywood classics such as All About Eve (Joseph L Mankiewicz, 1950) and Gentlemen Prefer Blondes (Howard Hawks, 1953). The series will also continue in May with further titles Fassbinder has cited as influential to him.

Study Day: Fassbinderian Politics
Rainer Werner Fassbinder’s films – whether about rebellious housewives, gay hustlers, or communist terrorists – are all deeply political. But he was a contradictory and provocative artist who defied categorisation. At this study day we’ll attempt to reveal what Fassbinder really stood for. Through thoughtful presentations and engaging discussion, we’ll examine his preoccupation with marginal figures (and intersectional solidarity among them), re-evaluate his provocative representations of LGBT characters, and consider how his forensic analysis of class exploitation contrasts with his critique of left-wing institutions. Join us to discover a radical filmmaker whose complex politics have profound relevance today.
Tickets £6.50
Sat 22 April 12:00-15:30 NFT3

Fassbinder: Television Pioneer
From ambitious series like Berlin Alexanderplatz to TV-movie melodramas, Fassbinder embraced television as a medium and a platform. In this talk, film scholar Mattias Frey (University of Kent) explores how Fassbinder exploited TV’s artistic potential, how the funding it offered made his career possible (he would surely be making Netflix series today), and how he seized upon TV as a way of communicating provocative ideas to a
mass audience, in their own homes.
Tickets £6
Tue 2 May 20:30 Library

The Bitter Tears of Fassbinder’s Women: A Symposium
TRT 210min
Stories of female desire, pain, and resilience are at the heart of Fassbinder’s films. The glamorous divas, heartbroken cleaners, rebellious housewives, and transsexual sex workers that populate his cinematic world were forged in the heat of vital (and sometimes turbulent) creative collaborations with female actors who would return again and again to work with him. Join us at this essential symposium to explore Fassbinder’s
complex creative and personal entanglements with key female actor-collaborators (such as Hanna Schygulla, Margit Carstensen, Brigitte Mira and Irm Hermann), and the mixture of cruelty, fascination and empathy he showed for his vital and compelling female characters.
Sat 13 May 12:00-15:30 NFT3

Philosophical Screens: Repression and Release in Fassbinder’s Chinese Roulette
TRT 70min
In the latest in our popular series exploring cinema through a philosophical lens, we consider Fassbinder’s spiky, provocative critique of German bourgeois values. Chinese Roulette depicts a savage world riven with infidelity and loathing, where people cruelly goad each other into revealing their deepest secret thoughts and desires – but what truths does Fassbinder unearth? Join film philosophers William Brown, John Ó Maoilearca and Catherine Wheatley as we explore how Fassbinder gives expression to the darkest chambers of the German soul via his repressed characters and their relation to space, objects and each other.
Free to ticket-holders of Chinese Roulette on Wed 10 May (but must be booked via the box office due to limited capacity), otherwise £6
Wed 10 May 20:00 Blue Room

BFI Course: The Many Faces of Rainer Werner Fassbinder
Martin Brady and Erica Carter (King’s College London, GSSN) will co-ordinate guest speakers and present sessions themselves in this eight-week course to accompany our Fassbinder retrospective. Illustrated discussions and lectures will take a closer look at Fassbinder’s obsession with Hollywood genres, the stars he cast and the West German context from which his films emerged – from student revolts, through queer
culture to terrorism! Beginners and experts welcome.
Course fee £96, concs £80 *No session on Thu 18 May
Every Thu* from 13 April – 8 June 18:30-20:30 Studio

Full listings and booking details for all the films included in the Fassbinder season as well as ‘Big Screen Classics: Fassbinder’s Favourits’ can be found on the BFI website.